This will come as no surprise to those who've followed GGM since 2014's Bishouné: Alma Del Huila, the critically-lauded, self-produced EP that put him on the map, and served as sample fodder for a handful of popular music's most iconic artists. His follow-up LP, 2017's Jardin, melded classical and folkloric instruments with rnb, hip-hop, and cumbia, proving once again that Gabriel is totally comfortable making transformative, funky, cathartic records all by himself.
Agüita, his first release for Jagjaguwar, is a sequence of impossibly diverse offerings ranging from trap anthems to string-drenched art pop ballads – a prismatic self-portrait, personal and universal all at once. The artist is present, and he is in final form.
The magic of Agüita lives in Gabriel's ability to consolidate a range of truths into a focused, crystallized idea.
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